“That 70’s Rock Show” Doesn’t Just Play the Hits-They recreate the Electrifying Experience of the Greatest Decade in Rock History Coming to The Palace Theatre!

Latshaw Productions Presents “That 70’s Rock Show” - a high-octane 70’s rock tribute that captures that lightning in a bottle, featuring Canada’s most elite musicians dedicated to delivering an authentic, electrifying live experience. This one-of-a-kind rock concert is coming to the Palace Theatre (21 W. Otterman, Greensburg, PA 15601) on Wed., Nov. 18th, 2026 at 7:30pm.Tickets are just $33., $43., $48., and $75. and can be purchased online at: www.westmorelandculturaltrust.org or by calling the ticket office at (724) 836-8000. The Palace Theatre is located at 21 W. Otterman, Greensburg, PA 15601. That 70’s Rock Show doesn’t just play the hits; they recreate the sonic architecture of the greatest decade in rock history. The band masterfully navigates the decade’s evolution, from the raw power of Led Zeppelin’s “Rock & Roll” and The Who’s “Baba O’Riley” to the sophisticated, jazzy precision of Steely Dan’s “Reelin’ In The Years.” Every performance is a deep dive into the 1970s’ most iconic sounds. Audiences will experience the soaring harmonies of the Eagles’ “Hotel California” and “Life In The Fast Lane,” the triple-threat guitar attack of The Doobie Brothers’ “China Grove,” and the legendary “talk-box” magic of Peter Frampton’s “Show Me The Way.” ### From Psychedelic Roots to Arena Anthems The magic of a That 70’s Rock Show performance lies in its ability to turn any venue into a sold-out stadium. The setlist is a non-stop barrage of “Main Event” moments that keep the energy at a fever pitch. Whether it’s the haunting atmosphere of Blue Oyster Cult’s “Don’t Fear The Reaper,” the high-definition pop of Electric Light Orchestra’s “Don’t Bring Me Down,” or the undeniable groove of Queen & David Bowie’s “Under Pressure,” the band delivers each track with the raw power of the original artists.The energy reaches its peak as the band dives into the anthemic drive of Boston’s “More Than A Feeling” and the soaring melodies of Journey’s “Any Way You Want It.” By the time the